I stopped writing. Suddenly, I had nothing more to say than the occasional 140 characters on Twitter. But a student showed me something she wrote – something so honest and painful and here I am again. What particularly struck me was the belief of my students that anything was possible in my studio class. Anything. And that, just that, reduced me to tears. What have I done?
In building the myth, I broke my own heart.
This myth of the artist is a notion I need to address over and over – in my work and in teaching young people who want to make things. The sheer responsibilty of it scares me silly. Every day I am frightened of what I might be doing. I am not ashamed, I am simply very, very scared.
I found something I wrote a few years ago in a statement of purpose for something I barely recall. And all I could read in it was the damn myth:
If I were to really think about it, the question simply asks me who I am. Or maybe, what I am. Or what I think I am. This, ofcourse, existing within the context of art-making and studying art. Then who indeed is this I? And what makes me different or distinct as a student and an artist? I am compelled to make art. Whenever something happens, I make art about it. I don’t even know what to call it anymore. It has become a default process. A reflex action. I document my life through my work. I tell my story through my work. It is my language – a language I’m still learning how to speak.
It is the honest truth, but what rot! It sounds like emotional bullshit.
Can I claim this makes me distinct? I’m just trying to understand who I am. Perhaps my work can help others understand something. I question the functionality of art-making. I question what it can do. I value teaching, which has helped me as I have helped my students. I want to continue teaching for the rest of my career.
And then the justification:
There is a question others ask me, and I ask myself: What good is any of this? What is the point of it all? I cannot know everything all at once but I do know it’s important in the greater scheme of things. Artists represent the time and space of now.
It all sounds so thought out and complete and utter bullshit at the same time. The truth is, I don’t know what good it is anymore. I don’t know if what I do makes any sense. I have no clue.
Yesterday, a friend told me quite truthfully that he didn’t get my work. And he sounded apologetic. And that made me very sad indeed. Why should he feel the need to apologize? You either like something or you don’t. You either care or you don’t. This insane pressure to understand and appreciate art also frightens me. All I did was make a few drawings because I was pining away for somebody who doesn’t give a shit. And then I put it up on the wall to satisfy my exhibitionist urge to display my tragic broken heart. And my friend was apologizing for not getting it and for not liking it as much as he assumed I wanted. So this is what it comes to?
I am sick of the myth. I am sick to death of the pressure this myth puts on other people. Good people who are kind and generous. Also, I hate what the myth does to us – to the artists who live it. To young students who believe in it because you (as their teacher/mentor) look so cool spreading it like it was the absolute. You make them think it is all OK and then they face the world as handicapped as you are. With no weapons but the myth itself.